We’re told that “Global Warming”, now conveniently called “Climate Change”, is a threat to Agriculture and therefore an issue of National Security. As a National Security issue, whatever they do to combat climate change, can be kept out of the public domain.
For years, many people have observed, what we were told to be, “Con-Trails” (Airplane engine condensation trails), but different from the contrails as we used to see them. Instead of dissipating quickly, they spread, stayed in the atmosphere for a pro-longed period, and if a lot of them, criss-crossing, caused a more cloudy sky. In the Pacific Northwest, we often suffer cloudy skies, the evidence was not always visible, but many people here, as elsewhere, referred to the cloud forming trails as “Chem-Trails”, trails not caused by water condensing but trails full of toxic substances to supposedly fight Global Warming.
In government circles it is referred to as “Geo-engineering”, it’s manipulating the earth weather system. Scary stuff, especially when we consider the enormous capabilities of the HAARP technology. For the purpose of our submission, to seek information, Geo-engineering and Chem-Trails are defined as a military-industrial complex program in partnership with private contractors and possibly major fuel suppliers and airline companies, whereby planes spray particulate matter into the atmosphere that would otherwise not be there.
It may seem ‘far-fetched’ to some, but it’s only recently that we found out a Drone can see a human face on the ground, from 10,000 ft. up, that the government can monitor every phone call we make and every email we send and a terrorist can detonate a bomb by using a cell-phone from miles away.
Chem-Trails are said to consist of tiny particles of the very harmful toxins, Aluminum and Barium. Toxins that we inhale, poison our water and kill the soil. We can avoid cancer causing second hand smoke, but there’s no way to avoid the far more toxic particles that fall from the sky. Already diseases like Cancer, Alzheimer, Lou Gehrichs, Huntingtons, Parkinsons, Autism and Bone diseases are at a highest level ever, all of which could be directly linked to Aluminum.
Whenever man manipulates nature, be it for profit or politics, the cost and consequences are horrific. Events like the Hurricanes in the East, the Tornadoes in the Mid-West, the flooding in Toronto, the unprecedented flooding in Calgary, the loss of millions of trees in B.C. due to a pine beetle epidemic, will all be attributed to “Mother Nature” and Climate change and not a mention of Geoengineering.
I would highly recommend that anyone wanting further information, check the internet for well known Neuro Surgeon Dr. Russell L. Blaylock who tells us about Social Engineering by the Elitists, funded by such foundations as “Rockefellers”, Ford and Carnegie.
According to documents released by the National Academy of Sciences, the CIA is funding a scientific study to determine the feasibility of altering the planet’s climate, in order to stave off climate change. When a government agency does a study, it might well be to justify activities already in play.
No such activity, as spraying the atmosphere with toxic chemicals could ever take place without government consent, Federally, State or Provincially and without a detailed agreement governing times, places and materials used. The government of Maui, Hawaii is now considering an Ordinance (law) prohibiting the release of aerosols and other particulates into the atmosphere without informed consent from the people of Maui.
Neither Federal, State or Provincial government has ever announced such a “Climate Control Program” nor denied it existed.
I’m aware that any attempt at rationalizing complicated problems will be characterized, by the Elitists and those they control, as Conspiracy theories, and some will be, but this is then used to stop all attempts at creating a public awareness. Not too long ago, mention of governments telephone evesdropping or screening all our emails, would have been tagged as Conspiracy theory at its worst.
(1) I, Bill Vander Zalm, request through “Freedom of Information”, both Federal and Provincial, all information on file about “Climate Control Programs” with the government or anyone of its Ministries.
(2) I, Bill Vander Zalm, request that Municipal Councils, City Councils and Regional Boards pass a resolution to say that “no particulate matter for climate control be sprayed in the atmosphere above their jurisdiction, without informed consent” and that the issue be presented to the annual meeting of the Union of Municipalities for debate and consideration this September.
Igor Stravinsky (5 June 1882 – 6 April 1971) was a Russian-born composer, pianist, and conductor. He is widely considered one of the most influential composers of the 20th century. Stravinsky lived a remarkable life, during the most amazing era, among the most fascinating people but we may have never known about it, were it not for the genius of Pablo Picasso.
Stravinsky despised the Bolsheviks as he was a staunch Monarchist, so the Russian revolution forced him to move to the Ukraine and then Switzerland, however it was the couturière Coco Chanel who invited Stravinsky and his family to reside at her new mansion “Bel Respiro” in the Paris suburb of Garches (until they could find a more suitable residence). Life became illustrious from that day forward, as he became the preeminent composer and conductor of the twentieth century.
Despite the outbreak of World War II on 1 September 1939, the widowed Stravinsky sailed (alone) for the United States at the end of the month, arriving in New York City and thence to Cambridge, Massachusetts, to fulfill his engagement at Harvard. Vera followed him in January, and they were married in Bedford, Massachusetts, on 9 March 1940.
Stravinsky settled in West Hollywood. He spent more time living in Los Angeles than any other city. He became a naturalized United States citizen in 1945. In 1969, Stravinsky moved to the Essex House in New York, where he lived until his death in 1971 at age 88 of heart failure. He was buried at San Michele, close to the tomb of Sergei Diaghilev.
Stravinsky had adapted to life in France, but moving to America at the age of 57 was a very different prospect. For a while, he maintained a circle of contacts and emigré friends from Russia, but he eventually found that this did not sustain his intellectual and professional life. He was drawn to the growing cultural life of Los Angeles, especially during World War II, when so many writers, musicians, composers and conductors settled in the area: these included Otto Klemperer, Thomas Mann, Franz Werfel, George Balanchine and Arthur Rubinstein. Bernard Holland claimed Stravinsky was especially fond of British writers, who visited him in Beverly Hills, “like W. H. Auden, Christopher Isherwood, Dylan Thomas. They shared the composer’s taste for hard spirits – especially Aldous Huxley, with whom Stravinsky spoke in French”. Stravinsky and Huxley had a tradition of Saturday lunches for west coast avant-garde and luminaries.
Stravinsky displayed a taste in literature that was wide and reflected his constant desire for new discoveries. The texts and literary sources for his work began with a period of interest in Russian folklore, which progressed to classical authors and the Latin liturgy and moved on to contemporary France (André Gide, in Persephone) and eventually English literature, including Auden, T. S. Eliot and medieval English verse. He also had an inexhaustible desire to explore and learn about art, which manifested itself in several of his Paris collaborations. Not only was he the principal composer for Diaghilev’s Ballets Russes, but he also collaborated with Picasso (Pulcinella, 1920), Jean Cocteau (Oedipus Rex, 1927), and George Balanchine (Apollon musagète, 1928). His interest in art propelled him to develop a strong relationship with Picasso, whom he met in 1917, announcing that in “a whirlpool of artistic enthusiasm and excitement I at last met Picasso.” From 1917 to 1920, the two engaged in an artistic dialogue in which they exchanged small-scale works of art to each other as a sign of intimacy, which included the famous portrait of Stravinsky by Picasso, and Stravinsky’s “Sketch of Music for the Clarinet”. This exchange was essential to establish how the artists would approach their collaborative space in Pulcinella.
According to Robert Craft, Stravinsky remained a confirmed monarchist throughout his life and loathed the Bolsheviks from the very beginning. In 1930, he remarked, “I don’t believe that anyone venerates Mussolini more than I … I know many exalted personages, and my artist’s mind does not shrink from political and social issues. Well, after having seen so many events and so many more or less representative men, I have an overpowering urge to render homage to your Duce. He is the saviour of Italy and – let us hope – Europe”. Later, after a private audience with Mussolini, he added, “Unless my ears deceive me, the voice of Rome is the voice of Il Duce. I told him that I felt like a fascist myself… In spite of being extremely busy, Mussolini did me the great honour of conversing with me for three-quarters of an hour. We talked about music, art and politics”. When the Nazis placed Stravinsky’s works on the list of “Entartete Musik“, he lodged a formal appeal to establish his Russian genealogy and declared, “I loathe all communism, Marxism, the execrable Soviet monster, and also all liberalism, democratism, atheism, etc.” Towards the end of his life, at Craft’s behest, Stravinsky made a return visit to his native country and composed a cantata in Hebrew, traveling to Israel for its performance.
Stravinsky proved adept at playing the part of a ‘man of the world’, acquiring a keen instinct for business matters and appearing relaxed and comfortable in public. His successful career as a pianist and conductor took him to many of the world’s major cities, including Paris, Venice, Berlin, London, Amsterdam and New York and he was known for his polite, courteous and helpful manner. Stravinsky was reputed to have been a philanderer and was rumored to have had affairs with high-profile partners, such as Coco Chanel. He never referred to it himself, but Chanel spoke about the alleged affair at length to her biographer Paul Morand in 1946; the conversation was published thirty years later. The accuracy of Chanel’s claims has been disputed by both Stravinsky’s widow, Vera, and by Craft. Chanel’s fashion house avers there is no evidence that any affair between Chanel and Stravinsky ever occurred. A fictionalization of the supposed affair formed the basis of the novel Coco and Igor (2002) and a film, Coco Chanel & Igor Stravinsky (2009). Despite these alleged liaisons, Stravinsky was considered a family man and devoted to his children.
Brazil enjoys the largest recording industry outside of the United States, so the number of brilliant artists and the wide variety of genres (most people have never heard of), is truly staggering.
The first time I’d ever hear this beautiful language was by vinyl record, as my father had a huge jazz collection, and even before I was born the Bossa Nova was played in my house often, so the first song I can remember, and first words in Portuguese are from the famous song: Garota de Ipanema (The Girl from Ipanema).
The Girl from Ipanema is a well-known bossa nova song, a worldwide hit in the mid-1960s that won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinicius de Moraes. English lyrics were written later by Norman Gimbel.
In Revelação: a verdadeira Garota de Ipanema (Revealed: The Real Girl from Ipanema) Moraes wrote she was:
“o paradigma do broto carioca; a moça dourada, misto de flor e sereia, cheia de luz e de graça mas cuja a visão é também triste, pois carrega consigo, a caminho do mar, o sentimento da mocidade que passa, da beleza que não é só nossa—é um dom da vida em seu lindo e melancólico fluir e refluir constante.”
“the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow.”
The song was inspired by Heloísa Eneida Menezes Paes Pinto (now Helô Pinheiro), a nineteen-year-old girl living on Montenegro Street in the fashionable Ipanema district in Rio de Janeiro, Brazil. Daily, she would stroll past the popular Veloso bar-café, not just to the beach (“each day when she walks to the sea”), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles.
As the legend has it (which isn’t 100% accurate), in the winter of 1962, the composers watched the girl pass by the bar (now a restaurant, see footnote), and it is easy to imagine why they noticed her—Helô was a 173-cm (five-foot eight-inch) brunette, and she attracted the attention of many of the bar patrons. Since the song became popular, she has become a celebrity.
While Helô inspired the song, it was another Carioca who carried it beyond Rio. Astrud Gilberto was just the wife of singing star João Gilberto when she entered a NYC studio in March 1963. João and Jobim were making a record with tenor saxman Stan Getz. The idea of cutting a verse on “Ipanema” in English came up, and Astrud was the only one of the Brazilians who spoke more than phrasebook English.
The hit English language song; “The Girl from Ipanema” was the alchemy of Astrud’s child-like vocal, devoid of vibrato and singerly mannerisms, it was the perfect foil for her husband’s soft bumblebee voice. Jobim tinkled piano. Getz blew a creamy smooth tenor. Four minutes of magic went to tape.
Note:One of my favorite places to eat and drink in Rio is the Garota de Ipanema, sure it’s a bit of a tourist trap because of the song “Girl from Ipanema” but seriously the restaurant is really excellent and it’s super casual being just a couple of blocks from Ipanema beach. You can grab a good window seat near the corner if your timing is good and then watch all the Cariocas trudging home from the beach at the end of the day. The draft beer is cold and frothy however the caipirinhas might be as good as you’ll find anywhere but the main attraction is the great food, especially the Picanha, which is thinly sliced beef rump that you grill yourself, right at your table, on a super-hot brazier, similar to a hibachi bar-b-que. (See: Garota de Ipanema Restaurant)
I was born under a lucky star, or so my Dear Old Mom tells me. She was born of Irish immigrants to Canada, who taught her to always look on the bright side of life, with a good dose of chin-up and carry-on when things didn’t go as planned. She and my Dad taught me to ski before I could walk, and how to teach skiing before I could drive (driving age is 16 in Canada).
My lucky star was being able to teach, that meant I was able to earn money, then own my own pick-up truck. Every Canuck buck wants to own a truck but the thing is you need an income to be able to keep one, same as today. I may have changed my choice of car but still need the money to keep it.
The Internet was how I managed to carve out a living, so that was another part of lucky star status. I saw the web really early and jumped all over it, had my first web design company before the mid 90’s. Mostly through consulting work and webmaster contracts I was able to support a nice lifestyle in South Florida, although it was up and down since we were all learning at the same time and the Industry was so new and unexplored.
Nowadays the U.S. Expat has a major advantage throughout the world in the Internet niche because most of the rest of the world want U.S. Talent, knowledge and experience, especially as in the case of countries where allot of those people want to travel to USA, like China and Brazil for example, where it’s right of passing for middle class and up to make trips abroad.
The key thing to know about becoming an Expat is that there’s more opportunity and often much bigger opportunities when you can provide a bridge between your culture and local knowledge and that of your new foreign home. The world is your oyster, when you’ve got a skill-set, that can help other people succeed.
When I first left Canada I was young and had serious wanderlust, funding my adventures was no easy feat. Several people I knew taught skiing and/or English, one friend that I admired in particular was Max, because he stayed in college to obtain an economics degree, then moved to Japan to teach English in a corporation.
Max had a thing about him, aside from being very smart, he was an absolute freak for mountain sports and outdoor recreation of all kinds. Ace tennis player and great golfer but even before snow boards arrived, he loved heli-skiing and knew about these incredible areas in British Columbia because we had planted trees in these mountains (for summer jobs). That’s how Max and I met.
Now that you have the backstory, while Max was in Japan teaching English to corporate execs, he was always talking about the back-country sports of BC. Next thing you know he’s opening an adventure guiding business in Canada, when Snow Boards arrived Max was among the first riding them, so he jumped all over the opportunity. Shortly thereafter it was Max throughout the mid 80’s that was showing Warren Miller and other ski film makers where to heli-ski. Max was the guide to the guides. To this day Max lives at Whistler, still involved in the hospitality industry and still helping Japanese people have an awesome experience in Canada.
There are so many examples of the foreigner next door. Everyone can remember someone in their life, who had a funny sounding accent. My life growing up in Western Canada was all about sports and recreation.
In the ski teaching business we would meet interesting people all the time, people from the farthest corner, end up at ski chalets. Especially common near ski resorts and water sports are Australian’s and Kiwi’s (New Zealanders). My young impressionable life was filled with great stories about “Down Under”, as my winters were filled with many weekends with my Oz and Kiwi mates, at our ski club. We loved to ski together, the deeper and steeper the better!
These people were smart, sophisticated, experienced and very determined to live free and prosperous. Their timing made them appear to be Hippy but they were world-wise way beyond their youthful appearance. World travel had also taught them about cultural cuisine, and they loved to cook fabulous foreign dishes and entertain large groups of us, with music and wine from the various regions of the world, to match the meal.
One winter we made our own Saki from rice, then at the end of the season, enjoyed an authentic 7 course Japanese dinner party with the homemade rice wine. It tasted great, as did incredible Mexican and my personal favorite Greek dinners, all of which were very novel to me, at 16 years old.
Teaching skiing taught me how to help people get what they wanted. This is what is so fundamental about our language, more than half of the world wants to learn English.
All of the people I mentioned above, and just about anyone who has ever lived overseas, has at one time or another, taught English to someone. It’s part of humanity, to try to exchange languages. It is the most common principle of good-will, to show an interest in another person’s culture, to speak their words.
The best thing about Teaching English is the people you meet, and that you are becoming an Ambassador of our language. You are helping someone else get what they want, that’s what creates value, and it’s the most common way to make money while living overseas.
The greatest thing in today’s English teaching community is Internet video, as many people want to learn online but still the basis of the teaching starts with a book at a table, with the student sitting beside you. It’s a one-on-one style method, where the book does the work but you need to be taught how to teach.
It’s highly recommended, that anyone embarking on a serious global Expat exploration being armed with more money making methods, than just teaching English. However, always be proud and happy to teach, it’s an excellent means of immersion into a foreign country.
Remember it’s an honor to be invited to anyone’s kitchen table, to teach them how to speak English. You benefit in many more ways, for sharing your time with people, than just the money in your hand.
Classroom teaching is another realm and above my pay-grade but I imagine that it’s the same in that your let the books do the teaching, just follow the words in the book and do the best that you to help people get what they want – and – if all else fails in the class – speak English!
The missing information is what Bob Frissell was writing about in his famous book Nothing in This Book Is True, But It’s Exactly How Things Are, 15th Anniversary Edition in it’s 15th edition since 2009 and originally published in 1994. A major part of the book is about sacred geometry. Sacred geometry is in everything, everywhere. Once you start to see it, you see it often but it probably never crossed your mind that it could be used as code, or software to unlock your mind. The core idea of “Nothing to something” (the original title) is to accelerate our planetary ascent into higher consciousness.
In practice the merkaba meditation taught by Drunvalo Melchizedek and adopted by Bob Frissell is the most tedious, long-term (5 – 12 years for results) commitment of anything I’ve ever heard of, however the explanation in both the book and the video, make it clear “why” it eventually works. Also, it’s important to note that other practitioners use similar methods, for other types of healing and therapy, in other words, merkaba meditation can’t cause you any harm. In my humble (and unprofessional) opinion, it’s worth a try to see how it feels – I did.
Sacred geometry and the merkaba are just plain cool to look at anyway, so it’s good to know that these neat patterns that we can find in nature, are very good for us.
Nothing in This Book Is True, But It’s Exactly How Things Are is an account of humankind’s function within the grand celestial battle between internal and external knowledge. Author Bob Frissell gives a compelling account of our planetary ascent into higher consciousness, presenting a big-screen view of the Earth through the experience of the Ascended Masters, Thoth, Babaji, and Drunvalo Melchizedek.
Pulling in all manner of conspiracy theories from the Secret Government to the Philadelphia Experiment, Frissell proposes both a core transdimensional shift based on the Mayan calendar and a personal Rapture mediated through the connected, affirmed breaths of rebirthing that his teacher Melchizedek used to travel from the other side of the universe to here—breathing your own spacecraft (merkaba) out of and around your aura in order to travel through the astral realms.
The 15th anniversary edition of this cult classic is revised and expanded with new illustrations and 50 pages of important new information on the Lucifer Rebellion, the solar storm, and the final three breaths of the merkaba meditation.
An excellent introduction to sacred geometry by Bob Frissell, a noted author and workshop leader.
Three years ago this May I broke my foot off. When I say “off”, I’m not exaggerating. It’s amazing to me, that I’m able to write about it, which is also part of the reason that “I am” writing about it because I can. Supposedly, I’m still getting over it.
For sure it was one of those things of such monumental drunken stupidity, that the psychological scars will take a lifetime to heal, and maybe then some….
Up until that fateful day in May, I had never spent a night in a hospital and then in one moment of altered-mind ignorance, I earned my first ten. Someday I’ll write more about that unbelievable experience (as I recover from it) but suffice it to say, that I was forever changed by it, in more ways than one smashed ankle with eleven new parts and pieces. My humble pie had been served.
To make matters worse, for the first time in my life I was an invalid. Just take a look at that word – in=un “valid” – it’s not a good distinction to wrap your head around. There’s a significant amount of shock involved with what I had done to myself. This new reality, for me, required large doses of patience with triple doses of self-reflection. Whenever I hear the name or voice of Alan Watts, I forever will be reminded of that period of my life because listening to his recorded lectures became a daily action of my mental therapy.
The first six months of physiotherapy was nothing compared to the intense self-analysis, the crushing reality of not being able to walk (at all at first), plus a guarantee, at best, of a club-foot for the rest of my life. This was a mighty blow for an alpha male ego. The depths of my depression hit all-time record levels, despite the fact that the healing and recovery starting happening at the same moment that the bones broke. It’s true, whatever doesn’t kill you, makes you stronger.
One thing prompted me to tell my “humble pie” story, is that I’ve been recording allot of video and producing a daily VLOG on YouTube and in my films you can notice my limp, or perhaps me more that the audience. None the less, I’ll embed the video below and you can see for yourself, when I walk through the street fair in Sao Paulo, it’s difficult for me to carry the camera smoothly because of the limp, a daily reminder, of my humble pie.
The bike is a modern day horse, the right bike can be a workhorse, and if you add a skateboard, you now have an urban, tactical ground transport system (your ground game). Bikes sometimes go on buses, and often on trains but many times you don’t want to have to deal with the bike at your destination, like in the case of going into a busy downtown core for a business meeting. Or perhaps you’re going to an airport, or renting a car at the other end of the train ride. These occasions are when you lock your bike in the safest place you can find, extract your skateboard and proceed to the train. The combination of bike and skateboard provides an Expat with a rapid, light weight, transportation strategy, that can’t be matched in it’s diversity of uses and cost to implement vs. benefits.
At 55 years old, it may sound childish (to some), that I’m such an advocate of the bike and board transport system. However, when I was a backpacker in Australia in my early 20’s, I owned 4 surfboards (at a time, sold each), 1 skateboard (lasted me years, then I mailed it to Canada) and a forgotten number of bikes. Once I was living in a youth hostel in Freemantle, Western Australia, up on the hill with a view towards Perth and out to the Indian Ocean. I made a bet with a brash young Dude in a flashy new car, that I could beat him to the train station, where we were catching a train into Perth. The girls rode with him and I set off on my skateboard, knowing that I could use the momentum of the hill we lived on to gain enough speed to cruise down the pedestrian mall, which runs block after block through the very center of Freemantle, all the way to the train station. I won that bet because the car could not go where I could go, however I got lucky and timed the stop light at the bottom of the hill, whereas the car had to wait at more than 1 stop-light.
Skateboard benefits worth their weight in gold, is how a skateboard can be used to move heavy objects like boxes of books. Then, when strapped to your backpack with the wheels facing out, the first roll-aboard was born years before Travelpro patented the design we know today. Plus, have you ever seen how children love them? Everywhere in the world, kids want to ride on skateboards. If the environment is right and there’s a safe place to learn, then it’s almost impossible to damage a skateboard, however you do need to be aware that learning means falling and sometimes falling means pain, which can lead to crying. Always use caution and protective gear when learning to skateboard. It’s also not the best type of sport to take-up if you’re not in decent physical shape, as for me, I’d been riding the bikes and boards for my my entire life. I’d also been around boats and skis since before I could walk, however I’ve never lived anywhere that a boat would be more of an advantage, although many places I lived, like Sydney and Hong Kong where I would have had one if I had more time to get my hands on one.
Getting your hands on a bike is the easiest thing, since there are used bikes in garages everywhere on the planet. Often times a person will give, or lend you there a bike, just because it’s been sitting so long that the tires need replacing. Once an elderly couple in South Florida gave me a perfect-condition Peugeot 10 Speed that had been in the closet of their closet for decades, the only thing I had to do was buy new tires because the old ones had dried out to the point of rotting off the bike. The guy at bike shop was in shock at the condition that this antique road bike was in, as for me I loved it and rode it by the old man’s place after to tell him about all the fun he’d missed out on. Riding home on that bike, down the beach on sunset, after a hot day of swimming and laying-out in the sun with my girl, remain some of my fondest memories.
My current bike, which I just now came back from riding, is a stealth (matte black [dull]) urban mountain bike, I call the Canadian Mongoose (my ground game). The previous bike was a Snake by Caloi (Brazilian bike maker), so the Mongoose followed the Snake, and Canadian because it’s tricked out with kit from my favorite gear store in Vancouver the World (Mountain Equipment Co-op), to be as good or better than my Dad’s mountain bike in Canada (which I mooch while there)
, but also I have an awesome street racing, 18 speed Trek that was given to me by my Dad’s best friend, he kept it in excellent condition and it rides beautifully. Having said all that, my passion is urban mountain bike riding here in Sampa (Sao Paulo, Brazil), which is a sport I feel I’m part of pioneering. This city has the most challenging riding of any city I’ve seen, part of the challenge is the danger of crossing major roads and hiways because of potential crime/violence. The risks of urban riding here are much more related to cars, motor-bikes and people, this adds a whole new dimension to the sport of regular mountain bike riding – which btw: where I come from in Western Canada is not only perilously dangerous, if you screw up on some trails, you are dead for sure.
Anyone who doesn’t own a bike, is because they don’t want one and that’s normally because they forgot how much fun they are. Now in every city in the world there are bike rentals, get your gusto back on, improve your ground game and get out there and take a peddle. Also, never go to Amsterdam and not rent a bike (unless it’s snowing), that is the one city in the world where no other transportation system can compare. The bike lanes go towards the on-coming traffic but on the safety of the sidewalk. Dutch people revere the bicycle and it’s the most fun of any city to ride a bike in, although China is no slouch on bike lanes and many other places have more people moving around on 2 wheels, under their own power, than people in cars.
Here in Brazil it’s expensive to buy imported bikes, and although my custom made bike cost me about $500 USD because it was made with KHS frame and imported parts. The Kona I like would set you back $5,000 USD but it’s available because they sell. Sadly though the Brazil government increases prices for a bicycle profile that Brazilian manufacturers are not able to manufacture. Brands like KHS, Specialized, Trek, Cannondale, Kona, Scott and others represent no more than 3 percent of the total volume of bicycles sold in Brazil. However, they’ve been selling here for a long time, so there’s always used ones somewhere, that someone wants to unload. Realistically I’d say you just walk into a busy bike shop and buy the best used bike that comes closest to your needs, and ride by the shop every month to see if there’s a used Kona come in for sale. My friend that owns Moema Bikes in Sao Paulo speaks perfect English, can build any type of bike, has every accessory, and sees Gringoes ride up and sell a bike (with tears in their eyes) because they’re going back Stateside, or moving overseas, those bikes sell really fast but there’s always a bike for the right price, ready to ride away on – just make sure you know where you’re going and how to get there, especially in Sampa.
The bike is irrefutably the best method of sight-seeing too, what are you waiting for? Just pick up a local newspaper, or better still, find the classifieds online and search your scene for “used bike for sale”. Or walk into a bike with a MasterCard and ride out on my favorite, a brand new Kona (Deep Cove, BC, Bike Maker). Just remember to buy a bigger lock, and that you can’t leave it parked anywhere for very long – even the big locks get jacked in under 30 seconds. A fancy looking bike attracts the thieves, dull it down and don’t leave it tied-up outside super-busy areas, like at bus stations etc…. Get yourself the best helmet you can find, not some sissy Tour de France looking racing helmet – a full-blown Extreme-sports helmet and the correct gloves. Wear excellent footwear, never flip-flops (unless it’s to the corner store) and always, always “ride to arrive alive”! Click here to learn how to make backup for power cuts.
The back-story, in case you’ve never heard of Casey Neistat, is that he was an accomplished filmmaker who also had created YouTube videos that had gone viral (over one million views). His YouTube channel grew in popularity, so he started making videos more often.
Other people started making videos about Casey because he has won several film awards, plus the word got around about his New York City “Wildly Functional Studio“. Then on his birthday last year, March 25th, he announces on his YouTube channel that from that day forward he’s going to produce one new film per day, to be released as a daily VLOG (video log), his channel started growing, faster and faster, first to one million subscribers, then rapidly to two million, as of this writing he’s at 2,274,587. His new daily videos (VLOG) can reach a half million views in the first twenty-four hours, this is a completely new phenomenon. Casey Neistat is becoming the first YouTube celebrity to go mainstream.
About one week ago Casey Neistat drops a hint in his daily VLOG that he’s in discussion with Samsung in New York City, then a few days later he drops the “Huge Announcement” that Samsung, the main sponsor for this year’s Academy Awards in Los Angeles, California, is sending Casey Neistat to the Oscars, with all-access back-stage and red-carpet pass. Plus, they set him up in a rock-star hotel room, big enough and stocked enough, to throw the biggest after-party in LA. And, on top of that they present him with a James Bond looking briefcase, that when opened has fiber optic lights to showcase 3 new Samsung gadgets that rival anything in the current hi-tech gadget market, including: 1) Galaxy phone 2) VR Headset 3) 3D camera.
Samsung made sure Casey Neistat had the coolest opportunity ever given to any web geek, they put the best person they could have ever imagined, in a position, with the best equipment, supreme film editing skills and keen sense of curiosity, where he could do something never done before. Take the audience (us) backstage and in the theater, of the 88th Academy Awards.
Neistat was born and raised in New London, Connecticut. He dropped out of Ledyard High School in the 10th grade at age 15 and did not return to school or graduate. From age 17 until 20 he lived in a trailer park with his girlfriend, Robin, and their son, Owen. It was during this time Neistat was on welfare, a detail cited by Neistat when delivering his own biography. In 2001 Neistat moved to New York City.
Prior to moving to New York City, Neistat worked as a dishwasher and short order cook in Mystic, Connecticut. His first job in New York City was as a bike messenger.
Tom Sachs Films
In mid-2001 Neistat and his brother Van began working with the artist Tom Sachs, ultimately making a series of films about the artist’s sculptures and installations. This was the earliest work done by the brothers as a collective.
iPod’s Dirty Secret
Neistat first gained international exposure in 2003 for a three-minute film titled iPod’s Dirty Secret, criticizing Apple’s lack of a battery replacement program for the iPod. The film received national media attention and brought broad attention on Apple’s policy towards iPod battery replacements. The video clip begins with a phone call to the Apple Support 800 number, and a conversation between Casey Neistat and an operator named Ryan. Casey explains that after 18 months of use his iPod battery is dead. Ryan suggests that for the cost of labor and shipping to replace the battery Casey is better off buying a new iPod. To the music of NWA’s rap song “Express Yourself” the brothers begin a “public service announcement” campaign to inform consumers about the batteries. Using a stenciled sign reading “iPod’s Unreplaceable Battery Lasts Only 18 Months”, they spray paint the warning over iPod advertisement posters on the streets of Manhattan.
The film was posted to the Internet on September 20, 2003 and within six days was viewed over a million times. The film quickly attracted media attention and the controversy was covered worldwide by over 130 sources including The Washington Post, Rolling Stone Magazine, Fox News, CBS News, and BBC News. The film was praised as “wonderfully renegade” by the Washington Post.
Apple officially announced a battery replacement policy on November 14, 2003 and also announced an extended iPod warranty program on November 21. The Washington Post incorrectly stated that both programs were announced “days after” the movie became public. Fox News set the date of the policy change at “two weeks” after the posting of the clip and Neil Cavuto called it a “David and Goliath story” on Fox News Your World. Apple spokeswoman Natalie Sequeira denied any connection between the film and the new policy, stating the policy revision had been in the works for months before the film was released.
In 2004 Neistat and his brother created a film series titled Science Experiments. The 15 minute series featured a number of short films documenting various experiments. The series was included in the 26th Sao Paulo Biennial in São Paulo, Brazil. The work was popular and was eventually featured in Creative Time’s59th Minute program showing a one-minute excerpt from Neistat’s film every 59 minutes on the Panasonic Time Square Astrovision.
Television and film
In July 2008, Home Box Office HBO purchased an eight-episode television series, “The Neistat Brothers”, for just under $2 million. The series was created by Casey Neistat, Van Neistat, Mason Daugherty and Tom Scott. Independent film producer Christine Vachon served as consulting producer. Written and directed by Casey and Van, the show is autobiographical and told in the first person. Each of the eight episodes is made up of short stories about the brothers’ lives. The show premiered June 4, 2010 at midnight on HBO.
The Hollywood Reporter said ‘the Neistat Brothers are to film what Dr. Seuss is to literature’. Hank Stuever of the Washington post noted ‘the Neistats exhibit an enthusiasm for life that you can’t help but love’. The show was not without detractors. The blog The Zeitgeisty Report called the show ‘A cutesy, hipster-y, pretentious mess’ and went on to suggest it was “the most irritating show in HBO’s history.”
The Pleasure of Being Robbed
Casey Neistat served as Executive Producer on the 2008 film The Pleasure of Being Robbed. The film premiered at the 2008 Cannes Film Festival.
Neistat along with Tom Scott was the producer of Josh and Benny Safdie’ssecond feature film, which premiered at Cannes under an alternate title Go Get Some Rosemary in 2009. Film critic A.O. Scott praised its “loose, intimate shooting-style,” and the film’s star Ronald Bronstein’s performance. He called it a “lovely, hair-raising film”. Neistat and Scott alongside director’s Josh and Benny Safdie won the Cassavetes Award at the 2011 Independent Spirit Awards for the film, under its American title: Daddy Longlegs.
Neistat has released 430 (as of February 6th, 2016) short movies on YouTube since the account was opened on February 15, 2010. The subject matter of the movies varies greatly and most feature Neistat. On August 24, 2015, Neistat reached 1 million subscribers on his YouTube channel.
As of February 2016, Casey has 2.2 million subscribers on YouTube.
Free $2 Bill Stickers
Casey Neistat made a video on February 14, 2012 that is almost 3 minutes long. He talks about how he made “a bunch of $2 bill stickers” and that he will give them away free to anyone who sends him a self-addressed stamped envelope to his address and he would send you stickers back. It also shows him in New York City putting them on various objects around the city.
On February 23, 2010 Neistat released a 5-minute movie about the internet site Chatroulette on Vimeo. The film was described as a 6-minute video that explains what the Chatroulette site is, how it works, and why people use it. Various experiments are conducted in the video with the findings presented in stop frame animations. One experiment found that people on Chatroulette are much more likely to talk to a woman. While 95% “nexted” Neistat, his female friend Genevieve was clicked away by only 5%.
Subway emergency brakes
In 2010 Neistat made a video about when, and when not, to use the emergency brake cord on train cars in the New York City Subway. According to the video, one should only use the emergency brake when the motion of the train poses an imminent threat to life or limb.
In 2011 Neistat made a video critical of the New York City Police Department‘s ticketing of cyclists in New York City for riding outside of the marked bike lanes. In the video Neistat films an encounter with an officer wherein he receives a $50 summons for not riding within the marked lanes. Neistat then proceeds to comically ride his bike in the lane crashing into various obstructions to highlight his argument that the lanes are not always the safest place for cyclists to ride. As described in a June 24, 2011 article in the New York Times, “[Neistat] followed the officer’s order to the letter, keeping to the bike lane even when the way was blocked. And he had a friend record his painful-looking pratfalls as he crashed into obstructions, including a moving truck and a police cruiser, like a modern-day Buster Keaton.” The Guardian said that “within 24 hours, [the Bike Lanes video] has gone beyond viral and is getting him huge mainstream media attention.”
In response, New York Magazine called Neistat a “Bike-Lane Vigilante” and the film was covered by most main stream media outlets.Additionally, TIME named Bike Lanes number 8 on their Top 10 Creative Videos of 2011 list.
Louise Neistat (Born Louise Celice Grossman), Casey Neistat’s grandmother, was a tap dancer and one of the Radio City Music Hall’sRockettes during World War II. In 2004, Casey directed a video in which his grandmother made the “world’s greatest french toast” and delivered it to his son, Owen. This video can be found on Casey’s “Casey Neistat Classics” YouTube channel.
On October 31, 2011 Casey Neistat posted a 4-minute short film on YouTube about her. The video opens with Casey asking his grandmother how many more years she thinks she will put on her annual tap dance show then inter-cuts various press clippings from her accomplished life with footage from her most recent tap dance show, the focus of her accomplishments being the money her tap dancing has raised for cancer research-related charities. The video was tweeted by YouTube’s official Twitter handle and appeared on numerous news and viral video websites including the Huffington Post. 22 days after the video was released Louise Neistat died of natural causes; Casey wrote her obituary and delivered the eulogy.
Make It Count
Make It Count is a video written, directed and starring Casey Neistat for Nike. The video begins with scrolling text that reads;
“Nike asked me to make a movie about what it means to #makeitcount Instead of making their movie I spent the entire budget traveling around the world with my friend Max. We’d keep going until the money ran out. It took 10 days.”
The video then begins in earnest with Neistat and his collaborator Max Joseph traveling to the airport. Fast editing of their travels with interludes of inspirational quotes make up the film ultimately ending with Neistat returning to New York City where the story began. On April 8, 2012 Nike launched the video on their official YouTube page titled MAKE IT COUNT. The next day Neistat launched the video on his official YouTube. Neistat’s posting went viral, as within the first 5 days the film had been viewed over 3 million times.
Mashable’s Zoe Fox commented that it was “The Best Branding Story Ever Told”. A number of main stream outlets referred to Neistat’s production of the film as ‘going rogue’ including CNNGo, Fast Company and CondeNaste Traveler.
Neistat has also begun to use Snapchat to capture moments of his life and add them to his “story”. He then adds these stories to a secondary YouTube account titled Casey Neistat’s Snap Stories. Videos for this are roughly made on a daily basis, with some days having multiple videos and other days none at all. There is no main theme to these as they showcase all different parts of his life or whatever he is doing that day.
Neistat started to post daily vlogs on March 25, 2015 which can be found on his YouTube channel. On May 15, 2015 his 52nd vlog post, “The Vice President, Outer Space and the Baby,” Neistat stated that he sees his vlogs more as a forum opposed to a daily journal. On January 19, 2016 Neistat posted his 300th vlog.
Snowboarding with the NYPD
On January 23, 2016, during the January 2016 United States blizzard, which caused travel bans in New York City, Neistat and Jesse Wellens filmed a video through the empty streets of New York City. The 2-minute, 41-second video, titled “Snowboarding with the NYPD,” showed Neistat being towed on a rope (he later revealed that he forgot the rope at his Connecticut home and was using a HDMI cable) on the streets and through places like Times Square. The video went viral and gained 6.5 million views on YouTube within 24 hours. Casey later released a behind the scenes video that details the making of the video.
In his July 8, 2015 vlog, Neistat announced that he has been working with Matt Hackett on building a video sharing app called Beme. The first version of Beme was launched on July 17, 2015. Designed as an alternative to highly edited content found in social media, the app enables users to produce unedited 4-second videos, which are immediately uploaded and shared with the user’s subscribers, without the ability to review the video. Users respond to shared content by sending “reactions”, photographs of themselves, back to the video uploader.
Beme released the first version of the app on July 17, 2015. Shortly after the launch, BuzzFeed described Beme’s minimalist design as “deceptively simple and decidedly weird.” The New York Times explained that Beme’s user experience is “as if the phone becomes a stand-in for one’s body, the camera facing outward to capture what the user is experiencing.” Within eight days of the app’s release, Beme users had shared 1.1 million videos and logged 2.4 million reactions.
In addition to his career in television and film, Neistat also directs television commercials, having worked with clients such as Nike, Inc, Google, J.Crew, and Mercedes-Benz.
Neistat has lectured on topics related to filmmaking and his life experiences.
On October 15, 2010 Neistat spoke at the South Carolina Arts Education Association Fall Conference. He was the events Special Feature Media Artist.
On February 2, 2011 Neistat Lectured in the Celeste Bartos Theater at the Museum of Modern Art in New York City. The lecture was described as “Casey Neistat will show and tell you how he taught himself everything from design to filmmaking since he dropped out of high school. His tools are simple; a camera, a marker, paper and scissors and anything that surrounds him, which he incorporates into stories on topics such as the subway’s emergency brake and Facebook’s privacy settings.” Tickets for the event were $40 and it was sold out. Neistat concluded his lecture by inviting Q and A participants onto the stage to choose a gift from his large cardboard box labeled Party Favors, gifts included an iPad, fake Rolex and cases of beer.
Neistat spoke at the TEDx Parker School in Chicago on March 24, 2012. The events theme was The Eye Opening Experience.
On February 18, 2013 Neistat became engaged to Candice Pool, who is featured in many of his films. On December 29, 2013, Candice and Casey were married in Cape Town, South Africa. They have a daughter, Francine. Neistat has a son, Owen, from a previous relationship with Robin Harris.
Just writing those words for this title: “On becoming a filmmaker” makes my hands shake because in my mind that distinction is reserved for people next to the Gods. I’m a huge Terantino fan but way before that, and for ever after, I’m a freak for Stanley Kubrick, as well as an absolute groupie of David Lynch but my list of adoration for movie cinema doesn’t stop there, rather it starts there and goes on for pages.
There are so many great filmmakers that it staggers the imagination, it’s just that I never thought, or supposed, that I would ever have the chance to be one of them AND now I do because tonight, in Hollywood, it’s the Academy Awards, better known as the “Oscars” and for the first time in history and Internet geek, like me, is bringing the info to the masses by Video Logging (vlogging) and preparing a film, for the masses, over the night. His name is Casey Neistat and he’s my new hero!
This is the “reality” of reality TV! One person creates the entire episode, every time, with no hidden agenda or sponsored message. Pure reality, streamed in your face, every day. We have crossed an important demarcation point from which we may actually gain ground and become much closer to the real “truth”, than what is currently called “Reality Television”. We have reached a major milestone, where youtube and all of the social infrastructure that surrounds it, all of a sudden becomes as important as mainstream media’s canned, packaged, over-produced and heavily-processed, mind-numbing, made-for-the-masses, mainstream “synthetic truth”, film-production.
We Internet geeks and Youtube warriors have crossed the Rubicon, there’s no coming back and it’s up to us, now that Casey has breached the gate, to attack! The door is open for us and the entire world is turning towards a new information source. It’s one to the many, or one to none, it doesn’t matter, we all have been given the green-light and shown the future.
Raymond “Ray” Kurzweil; (born February 12, 1948) is an American author, computer scientist, inventor and futurist. Kurzweil received the 1999 National Medal of Technology and Innovation, the United States’ highest honor in technology, from President Clinton in a White House ceremony. He was the recipient of the $500,000 Lemelson-MIT Prize for 2001, the world’s largest for innovation. And in 2002 he was inducted into the National Inventors Hall of Fame, established by the U.S. Patent Office. He has received twenty honorary doctorates, and honors from three U.S. presidents.
[box type=”note”]For the past several decades, Kurzweil’s most effective and common approach to doing creative work has been conducted during his lucid dreamlike state which immediately precedes his awakening state. He claims to have constructed inventions, solved difficult problems, such as algorithmic, business strategy, organizational, and interpersonal problems, and written speeches in this state.[/box]
Kurzweil has been described as a “restless genius” by The Wall Street Journal and “the ultimate thinking machine” by Forbes. PBS included Kurzweil as one of 16 “revolutionaries who made America” along with other inventors of the past two centuries. Inc. magazine ranked him #8 among the “most fascinating” entrepreneurs in the United States and called him “Edison’s rightful heir”.
Kurzweil – the thinking machine quote;
“I realize that most inventions fail not because the R&D department can’t get them to work, but because the timing is wrong—not all of the enabling factors are at play where they are needed. Inventing is a lot like surfing: you have to anticipate and catch the wave at just the right moment.”
Kurzweil has authored seven books, five of which have been national bestsellers. The Age of Spiritual Machines has been translated into 9 languages and was the #1 best-selling book on Amazon in science. Kurzweil’s book The Singularity Is Near was a The New York Times bestseller, and has been the #1 book on Amazon in both science and philosophy. Kurzweil speaks widely to audiences public and private and regularly delivers keynote speeches at industry conferences like DEMO, SXSW and TED. He maintains the news website KurzweilAI.net, which has over three million readers annually.
Future predictions by the Ultimate Thinking Machine Ray Kurzweil
In 1999, Kurzweil published a second book titled The Age of Spiritual Machines, which goes into more depth explaining his futurist ideas. The third and final part of the book is devoted to predictions over the coming century, from 2009 through 2099. In The Singularity Is Near he makes fewer concrete short-term predictions, but includes many longer-term visions.
He states that with radical life extension will come radical life enhancement. He says he is confident that within 10 years we will have the option to spend some of our time in 3D virtual environments that appear just as real as real reality, but these will not yet be made possible via direct interaction with our nervous system. “If you look at video games and how we went from pong to the virtual reality we have available today, it is highly likely that immortality in essence will be possible.” He claims to know that 20 to 25 years from now, we will have millions of blood-cell sized devices, known as nanobots, inside our bodies fighting against diseases, improving our memory, and cognitive abilities.
Kurzweil claims to know that a machine will pass the Turing test by 2029, and that around 2045, “the pace of change will be so astonishingly quick that we won’t be able to keep up, unless we enhance our own intelligence by merging with the intelligent machines we are creating”. Shortly after, Kurzweil claims to know that humans will be a hybrid of biological and non-biological intelligence that becomes increasingly dominated by its non-biological component. He stresses that “AI is not an intelligent invasion from Mars. These are brain extenders that we have created to expand our own mental reach. They are part of our civilization. They are part of who we are.
So over the next few decades our human-machine civilization will become increasingly dominated by its non-biological component. In Transcendent Man Kurzweil states “We humans are going to start linking with each other and become a metaconnection we will all be connected and all be omnipresent, plugged into this global network that is connected to billions of people, and filled with data.” Kurzweil states in a press conference that we are the only species that goes beyond our limitations- “we didn’t stay in the caves, we didn’t stay on the planet, and we’re not going to stay with the limitations of our biology”. In his singularity based documentary he is quoted saying “I think people are fooling themselves when they say they have accepted death”.
In 2008, Kurzweil said in an expert panel in the National Academy of Engineering that solar power will scale up to produce all the energy needs of Earth’s people in 20 years. According to Kurzweil, we only need to capture 1 part in 10,000 of the energy from the Sun that hits Earth’s surface to meet all of humanity’s energy needs.